Weekly Ballet Post, 9/14/17

Had an exhausting introduction to piqué this week. We didn’t do the turn, just the step. Thank God (Terpischore?). There’s nothing like a basic exercise that is REALLY HARD to remind you of how inadequate your legs* are. I got myself through by reminding myself to pull up from the hips, and pretending that I looked Damn Good.

And I could deceive myself thus because there was no time to check in the mirror. A ballet studio is the one place where an entire wall covered in mirrors is not vanity, it is the opposite. It shows not only the inadequacy of my technique, it reveals the difference between what I feel my body is doing, and what I can see it to be doing. Mind you, I know I’m doing everything imperfectly, but the disparity between “bad” and “worse” is enormous. The really cruel irony is that I can’t actually take that much time in the mirror anyways as long as I’m doing something—the amount of concentration it takes to check my form interferes with, you know, counting to eight. Or remembering the combination. Or keeping my form. The mirror works better if I’m already standing still while being instructed, trying to carve a form into muscle memory so that it can then be done again, sight unseen.

* Hips remain the worst. I feel like the pregnancy actually messed with my hip sockets (not medically impossible) and that I had more turnout before it happened. Still, after a lot of sulky reading, it was nice to discover that almost nobody had perfect turnout. Even at Vaganova, which rumor says chooses its entering students 99% based on proximity to the Ideal Ballet Skeleton (talent is an afterthought**; five hours of dancing six days a week will train that into you) you still see via YouTube that most of them aren’t doing 180.

** I feel like writers can also learn from this XD In fact the lesson is an optimistic one! Turnout is restricted by the genetics of one’s hip socket. Last I heard, there are many ways to get words down on a page/computer screen.

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