This week’s favorite is La beauté sans vertu by Genevieve Valentine. This is everything (maybe nearly everything?) Valentine likes to write about—fashion, the fashion industry, fairy tales, feminism—rolled up into one gorgeous and dense and prickly story, like a bed of roses. Which is, not coincidentally, a motif throughout the story.
I really have to gush a little about how the story is so perfectly structured. Every sentence is as layered as it is gorgeous. The story overflows with #aesthetic but at no point does that get in the way of the story’s function. Every pretty thing in this story is an important signifier or symbol; it doesn’t just stand there looking nice. That’s harder than it sounds even in a story about the fashion industry. (You wish all your clothes could accomplish the same.)
All right, speaking of roses. La beauté sans vertu is the story of Maria, a 19-year-old model who (with the help of bones grafted from a dead 14-year-old; this is the industry standard) rises to become a star in the House of Centifolia, a couture house. Rhea, the owner of the House of Centifolia, designs a runway show around Maria and her beauty. Then things start to fall apart.
It’s a story about the currency of women’s bodies and how and when they’re valued and what we consider beautiful and why. It’s a deeply beautiful story that understands the price of beauty and who has to pay it.
Reading this story is—to borrow an image from it—somewhat akin to swallowing a rose. Someone will bleed for this. But oh, the beauty of it.